The Juno series of polyphonic synthesizers were launched during the same period as other iconic instruments from which whole genres emerged. Retroactive Synthesis | Future Forward Sequencing Fingers’ seminal Deep House blueprint, “Can You Feel It”. The Juno was a favorite synth of the influential early house music producers out of Chicago, as heard on Mr. Roland’s first synthesizer with memory found its way on to many famous pop records of the era, such as “Borderline” by Madonna, “West End Girls” by Pet Shop Boys, “Caribbean Blue” by Enya, “Take On Me” by a-ha, and “Save A Prayer” by Duran Duran, among many others. Released in September 1982, The Juno-60 features the same six voices of polyphony, 56 presets, and an IR3109 filter chip, these features, along with the unit’s tuning stability, made the Juno-60 a popular instrument choice for a wide range of artists. A new workhorse standard in synthesis was born. The lush character of the Jupiter series was now reimagined, and re-engineered, for the general public’s consumption. It features 6 voices with the sounds being generated by an innovative technology with its Digitally Controlled Oscillators. The Juno-6 was the first of the polyphonic synthesizers to be sold for under $2000. The Queen of Gods, the most affordable, feature-rich, efficiently utilitarian polyphonic sonic paintbrush ever made, The Queen of Synths, the Roland Juno. However, it was in September of 1982, that Roland’s greatest product achievement would come to market. Although, updated and massive sounding, this 2 oscillator per voice Cadillac of synthesis would still set you back around $2995 in 1983, roughly $7,600 in 2019 dollars. The next model of the Jupiter series, the Jupiter-6, didn’t come out until January 1983 and featured some critical improvements to its predecessor.
0 kommentar(er)
